Milo Dlouhy is an artist born in Prague, Czech Republic, living and working in Calgary, Alberta where he studied at the Alberta College of Art and Design. Milo was an early member of the art collective United Congress and is a founding member of Untitled Art Society (now The Bows) and has co-directed several artist-run spaces including The Estate, Portrait Estate, and Sugar Estate Museum of Oddities with collaborators Lisa Brawn and Angela Inglis. Currently, Milo runs a photography/art atelier Grenouille Kralik Studio with collaborator Sandra Neill. 

Milo’s artistic practice is deeply personal, immersive, and ever-evolving. His work resists completion, unfolding across decades through layered acts of creation, destruction, and transformation. Drawing from Jungian psychology, mythology, and Buddhist notions of impermanence, Milo treats art as a devotional practice—each mark a psychological excavation, each image a relic of inner life. His long-term projects, such as The Buddhist Sketchbook, The Disappearing Man, and Ever-Evolving Self-Portrait, are not series in the traditional sense, but living documents of ongoing inquiry—works that age, shift, and mutate alongside the artist himself.